poetry – BookBunnies

Sprinkles reviews Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems

Sprinkles has reviewed several poetry anthologies for the book bunnies blog. Today she is writing about another: Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems, edited and introduced by Jim Weiss, illustrated by Crystal Cregge, and published in 2018.

When I first began to look for poetry books for young readers, I did not know there would be so many beautiful options out there. But through the years, I was pleasantly surprised to find several lovely books that fit the bill, all clearly created with much care and love. Today I wanted to share with you one such book: a lovely little collection of poems titled Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems.

Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems is a paperback large-format book, and in the course of fifty-two pages, covers thirty-one poems and nine nursery rhymes. Most poetry anthologies will not have Mother Goose in their repertoire, but this is a different kind of an anthology. The sounds matter a lot in this book, and the easy rhymes and repetitions of the nursery rhymes included seem to be a natural place to introduce young ones to poetry.

So this could indeed be a first introduction to poetry for a young bunny. There is a little blurb at the beginning about what poetry is; it ends with “I hope you have fun.” This captures the spirit of the book well. These are poems selected not only for being well-known and well-loved, but also a lot of the time, they are fun and fun to read out loud. Christina Rosseti’s “Who Has Seen the Wind?” is almost like a fun little riddle, and would be fun for a young one to read out loud together with their grownup.

The illustrations on each page add to the fun factor. Carl Sandburg’s “Fog” starting with the lines:

The fog comes
on little cat feet.

is decorated by a city skyline with a crouching gray cat seemingly hiding behind it. The cat is looking curiously on and its tail is making an elegant wave above the city’s trees. All very amusing to explore as one thinks about the words of the poem…

Sprinkles is reading Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems, edited and introduced by Jim Weiss and illustrated by Crystal Cregge. — Sprinkles is reading *Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems*, edited and introduced by Jim Weiss and illustrated by Crystal Cregge.

Many of the poems that appear in Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems can be found in some of the books I have reviewed before. For example Robert Louis Stevenson’s “Windy Nights” is from A Child’s Garden of Verses. “I Hear America Singing” by Walt Whitman was in two of the anthologies I reviewed. “The King’s Breakfast” and “Jonathan Jo” by A.A. Milne are both from When We Were Very Young. But there are also a lot of new poems here. So one should not worry about complete overlaps. And when it comes to poetry, revisiting an old acquaintance is always welcome!

The poems are loosely organized into whimsical themed sections. The first section is made up of nursery rhymes from Mother Goose. Then comes a section on poems about nature. There are two sections called “Wild Ride”. The first contains “Paul Revere’s Ride” by Henry Wadsworth Longfellow, the second, “The Charge of the Light Brigade” by Alfred, Lord Tennyson. Other sections are titled “All American Poems”, “Unusual Companions”, “Poems That Take Flight”, “Sensible Nonsense”, “Bedtime and Dreamtime”. “Unusual Companions”, for example, contains “The Beanstalk” by Edna St. Vincent Millay, “The Little Elf” by John Kendrick Bangs, and “The Song of the Wandering Aengus” by William Butler Yeats.

All of these sections are preceded by a Foreword by Susan Wise Bauer, directed at parents, with some recommendations on how to use the book. But the recommendations are not simply about just reading the book together with a child and talking about the pictures. There is some discussion of the role of memorization and recitation of poetry, both seemingly lost arts. Older children might recoil at the idea of reciting a poem in front of others, but younger children often enjoy memorizing and reciting rhyming language. If they recited poetry instead of commercial jingles, wouldn’t that be lovely?

The book is accompanied by an audio version of the poems, too, all read by Weiss himself. You can hear a sample on the publisher’s website for the audio companion. Weiss has a very versatile voice and his readings of the poems are a joy to listen to. But I’d say that it will be a whole lot more fun to read it out loud yourself with your little one.

Sprinkles enjoyed reading Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems, and recommends it to all young lovers of poetry and their adults. — Sprinkles enjoyed reading *Heroes, Horses, and Harvest Moons: A Cornucopia of Best-Loved Poems*, and recommends it to all young lovers of poetry and their adults.

Sprinkles reviews The Death of the Hat: A Brief History of Poetry in Fifty Objects by Paul B. Janeczko and Chris Raschka

Sprinkles has already reviewed several poetry books for the book bunnies blog. Besides single-poet collections, she has also reviewed a handful of anthologies as well as a neat collection of poems by three contemporary poets celebrating a wide range of well-known poets. Today she is reviewing another anthology, The Death of the Hat: A Brief History of Poetry in Fifty Objects, curated by Paul B. Janeczko, illustrated by Chris Raschka, and first published in 2015.

You can take a quick peek into the book here: The Death of the Hat: A Brief History of Poetry in Fifty Objects.

Sprinkles reviews The Death of the Hat: A Brief History of Poetry in Fifty Objects by Paul B. Janeczko and Chris Raschka. — Sprinkles reviews *The Death of the Hat: A Brief History of Poetry in Fifty Objects* by Paul B. Janeczko and Chris Raschka.

The Death of the Hat: A Brief History of Poetry in Fifty Objects is an interesting collection. The title might give you a hint about what to expect: you might imagine that this will likely be a collection of fifty poems each about a particular object, and the whole collection will likely give us a sense of the history of poetry. And you would be right, mostly.

So yes, most of the poems are about concrete objects, like a hat (the titular poem “The Death of the Hat” by Billy Collins) or a just-finishing candle (a poem by Rumi) or simply the letter E, my favorite (by George Gordon, Lord Byron, who just happens to be the father of Ada Lovelace):

A Riddle, On the Letter E by George Gordon, Lord Byron

The beginning of eternity, the end of time and space
The beginning of every end, and the end of every place.

But there are also quite a few poems which are about nature and natural beings. You can call them objects, sure, but I feel like they do not quite fit the term. Like snowflakes (Henry Wadsworth Longfellow), the midnight frost (Basho), the sun (Ben Jonson), an eagle (Lord Alfred Tennyson), and so on. Still, they are concrete, and I suppose, do make a category that excludes topics like spirituality, romantic love, meaning of life and so on.

Sprinkles is reading The Death of the Hat: A Brief History of Poetry in Fifty Objects by Paul B. Janeczko and Chris Raschka. — Sprinkles is reading *The Death of the Hat: A Brief History of Poetry in Fifty Objects* by Paul B. Janeczko and Chris Raschka.

The history bit is worth mentioning. The time periods are described at the beginning; the curator of the collection, Paul B. Janeczko, in his introduction gives us a quick recap of the history of Western poetry, mainly focusing on what can be gleaned in poetry written in English. This is helpful and provides the reader some guidelines as they dive into the book. But then we find several poems that were translated into English! Now this is exciting, the poems are all exquisite themselves, but assigning to them the Euro-centric (or rather English-centric) period names feels a bit off then. For example, when you are reading poems from “the Renaissance”, you do not expect to find Basho from Japan, Emperor Le Thanh Tong from Vietnam or Kim Ku from Korea. The timelines work of course (1500s-late 1600s), and I was really excited by the diversity of the poets in the book. But the time period names still disoriented me a bit.

The book is a delight nonetheless, and I recommend it highly to any bunnies young or old. Especially if you want to enjoy some beautiful poetry in company of inspiring water colored sketches on each page. The illustrations by Chris Raschka definitely add an extra something to the book, sometimes whimsical, sometimes elegant, but always interesting, to each page. All in all, a wonderful collection to be read and savored.

Sprinkles enjoyed reading The Death of the Hat: A Brief History of Poetry in Fifty Objects by Paul B. Janeczko and Chris Raschka and recommends it to all current and future lovers of poetry, young and not-so-young. — Sprinkles enjoyed reading *The Death of the Hat: A Brief History of Poetry in Fifty Objects* by Paul B. Janeczko and Chris Raschka and recommends it to all current and future lovers of poetry, young and not-so-young.

Sprinkles reviews Out Of Wonder: Celebrating Poets and Poetry by Kwame Alexander, Chris Colderley, and Marjory Wentworth

Today Sprinkles reviews Out of Wonder: Celebrating Poets and Poetry by poets Kwame Alexander, Chris Colderley, and Marjory Wentworth. Illustrated beautifully by Ekua Holmes, this poetry collection was first published in 2017.

I have already reviewed a handful of poetry books through the years for the book bunnies blog. Most of these reviews were about individual books, but earlier this year, I have also reviewed three anthologies. The book I am reviewing today can also be viewed as an anthology of sorts, though it is a very particular type. Out Of Wonder presents twenty poems from three distinct poetic voices: Kwame Alexander, Chris Colderley, and Marjory Wentworth. And each poem is an homage to a specific poet that had a significant impact on the poet writing about them.

The book begins with a preface written by Alexander, where he introduces us to the project: through poems inspired by individual poets, the three authors of this book aim to introduce to the young reader the depths and breadths of poetry. Alexander writes:

“The poems in this book pay tribute to the poets being celebrated by adopting their style, extending their ideas, and offering gratitude to their wisdom and inspiration.”

Following this description then, it should not surprise the reader that the poems in the book are organized into three parts.

Part I, titled “Got Style?”, offers us six poems, written in the styles of Naomi Shihab Nye, Robert Frost, e. e. cummings, Bashō, Nikki Giovanni, and Langston Hughes. It is a great idea indeed to start with a style focus like this; these poets have particularly distinct styles, and the six poems honoring them manage to showcase to the young reader what possibilities exist for poetic form.

Part II, titled “In Your Shoes”, celebrates Walter Dean Myers, Emily Dickinson, Terrance Hayes, Billy Collins, Pablo Neruda, Judith Wright, and Mary Oliver with seven poems that explore themes and contexts that come directly from these poets’ own works.

Part III, titled “Thank You”, includes seven more poems, this time explicitly thanking and celebrating Gwendolyn Brooks, Sandra Cisneros, William Carlos Williams, Okot p’Bitek, Chief Dan George, Rumi, and Maya Angelou.

The book ends with a list of biographies of the twenty poets celebrated in it, so the curious reader can learn a bit more about these poets if desired. But of course the really curious bunnies will also want to check out poems by these poets. To that end, most of the links I provided above to the poets go to the Poetry Foundation page on them where you can find at least a couple sample poems.

Sprinkles is reading Out Of Wonder: Celebrating Poets and Poetry by Kwame Alexander, Chris Colderley, and Marjory Wentworth. — Sprinkles is reading *Out Of Wonder: Celebrating Poets and Poetry* by Kwame Alexander, Chris Colderley, and Marjory Wentworth.

All twenty poems in Out Of Wonder are accessible to young readers, but they do not underestimate them. Each poem stands on its own, with its distinct style and voice. Alexander’s “Jazz Jive Jam” celebrating Langston Hughes dances even!

These are all really appealing poems. For example Marjory Wentworth’s “In Every Season” celebrating Robert Frost leaves resonances in one’s palate which complement the experience of reading his “Stopping by Woods on a Snowy Evening”. Chris Colderley’s “For Our Children’s Children” celebrating Chief Dan George is striking in its simplicity–here is an excerpt:

Let the shadows 
of drifting clouds 
warm your cheek
and whisper softly:

Share the earth
with all creatures.
Love them, and they 
will love you back.

Kwame Alexander’s “I Like Your” celebrates e. e. cummings in a style that reflects the latter’s very own–here is the beginning of this lovely poem:

I like my shoes when they are with
your shoes. Mostly the comes. Leastly
the goes. I carry your footsteps(onetwothreefour)
in between today(...)tomorrow.

Each and every one of these poems is a joy to read. And each is accompanied by beautiful illustrations by the talented Ekua Jolmes. Most poems thus get a full two-page spread and the illustrations are as distinct and striking as the poems themselves.

This is not a book to read from cover to cover in one sitting. Read one poem, look at the beautiful illustrations accompanying it, check the bio of the poet celebrated by the poem that is provided at the back of the book, and then finally, if you have the time, go find some poems by the same poet to see if you will find a new favorite of your own.

***

If you would like to know a bit more about the book, you should probably know that it has its own Wikipedia page! And you can also view the book trailer on Youtube:

Sprinkles reviews Now We Are Six by A.A. Milne

Last week Sprinkles reviewed a sweet little poetry book written by A.A. Milne: When We Were Very Young. Today she reviews Now We Are Six, a sequel if there could be one for a poetry book. First published in 1927, this book was also illustrated by Ernest H. Shepard.

Sprinkles reviews Now We Are Six, written by A.A. Milne and illustrated by Ernest H. Shepard. — Sprinkles reviews *Now We Are Six*, written by A.A. Milne and illustrated by Ernest H. Shepard.

Last week I reviewed When We Were Very Young, written over a hundred years ago by A.A. Milne. Today I share with you some thoughts on another little poetry book by Milne that is almost a century old: Now We Are Six.

Now We Are Six is a perfect sequel to When We Were Very Young, and young bunnies who have enjoyed that book would definitely enjoy this book, too. In fact both Marshmallow and Caramel were gifted this book for their sixth birthdays. (Yes it was the same copy, which I think is fine. After all, Marshmallow had already graduated from being six years old when Caramel entered that age…) If you want to see what the book is like, you can see the contents in the Project Gutenberg page for the book here. But once again, I will say that the experience of holding a real copy of the book in your own hands (or paws!) is a lot more pleasant.

Before diving into the poems in the book, let me tell you that Milne’s introductions are really interesting. I am not sure the younger readers would appreciate them, but the adults reading the books definitely will. So please do not skip these; they are so fun to read!) In this introduction, we are also warned that Winnie the Pooh shows up in several of the poems. It is really neat to see Pooh’s evolution from the germ of an idea in one little poem in When We Were Very Little to a fully developed independent character who “walked through [the book] one day, looking for his friend Piglet, and sat down on some of the pages by mistake.”

Sprinkles is reading Now We Are Six, written by A.A. Milne and illustrated by Ernest H. Shepard. — Sprinkles is reading *Now We Are Six*, written by A.A. Milne and illustrated by Ernest H. Shepard.

Now the poems! There are thirty five in total. And some are indeed about Winnie the Pooh, or at least they include Pooh as one of the main actors. For example, the poem “Us Two” is about a little boy narrating his adventures and conversations with Pooh. But pooh also just happens to show up in the illustrations of poems that do not explicitly mention his name. For example “The Engineer” is about a train the narrator is trying to play with, and Pooh shows up in the illustrations waiting for a ticket and then the train itself. The little bear makes a similar appearance, that is, only in the illustrations, for the last poem of the book, “The End”, where the narrating child is excited to be six years old:

But now I am Six, I'm as clever as clever
So I think I'll be six now for ever and ever.

Another one of my favorite poems in this book is “Explained” where a little girl named Elizabeth Ann goes around trying to find out just “how God began”. the question remains unanswered for all those who are reading the poem, even though in the end Elizabeth Ann gets an answer that satisfies her.

Unlike When We Were Very Young, which seemed to be almost exclusively written for a little boy, there are quite a few little girls in this book, or possibly a single little girl, who is sometimes named Elizabeth Ann and sometimes Anne. This makes a lot of sense if you read that the book is dedicated to Anne Darlington, who was a friend of Christopher Robin, Milne’s son. The Darlingtons and the Milnes were family friends, and they seem to have hoped that their two children would perhaps eventually marry each another. But in any case, I believe that the book does benefit from having a little girl in it.

The poems are once more about play and daily life and friendship and big questions. There is also room for big feelings. For example, the very first poem, “Solitude”, reminds the reader that all children are persons of their own rights, and sometimes they too will need some space. And there are a handful of poems which are more fantastical. For example “The Knight Whose Armour Didn’t Squeak” tells the story of a knight, you guessed it, whose armor did not squeak. One day, this knight spots another one whose armor does not squeak and figures out a way to eliminate him from this competition.

The illustrations in the book are once more by Ernest Shepard and complement the book’s quirky and fun feel. All in all, this book is a joy to behold and a joy to read. I recommend it with much enthusiasm to anyone looking to find a poetry book to read or share with a young bunny!

Sprinkles recommends Now We Are Six, written by A.A. Milne and illustrated by Ernest H. Shepard, to anyone looking for a little poetry in their lives. — Sprinkles recommends *Now We Are Six*, written by A.A. Milne and illustrated by Ernest H. Shepard, to anyone looking for a little poetry in their lives.