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Marshmallow reviews Spooky Classics for Children: A Companion Reader, as told by Jim Weiss, and with Dramatizations by Chris Bauer

This week both of the younger book bunnies wanted to review spooky books to honor Halloween 2025. So on Wednesday, Caramel reviewed a cute picture book about a zombie and a brain. And today, Marshmallow reviews Spooky Classics for Children: A Companion Reader, as told by Jim Weiss, and with Dramatizations by Chris Bauer, which offers modern adaptations of three classic short stories.

Marshmallow’s Quick Take: If you are looking for a fun book to read with your family during the fall season, then this is the book for you!

Marshmallow’s Summary (with Spoilers): This book is divided into several sections. The Preface introduces the stories and explains that the book can be used in three ways: listen, read, and speak. The first section has the stories laid out in a normal picture book-like fashion; this is Part I: Three Spooky Stories. The second section (Part II: Three Spooky Plays) provides scripts for each story and a guide for how to perform each one.

The first story is called “The Canterville Ghost”, and it was originally written by Oscar Wilde and published in 1887. The story is set in Britain. The American Otis family (Mr. Otis is the American ambassador to Great Britain) moves into the Canterville Chase, a famous old ancestral castle. The catch is that the estate is haunted by the Canterville Ghost. Lord Canterville warns the Otis family of the haunting, but they do not believe in “mumbo-jumbo.” However, when the ghost’s existence becomes undeniable, they react in a relatively kind, well-mannered way. Eventually, the story ends happily—which I was initially not expecting! (Readers interested in the original Wilde version can check out this Project Gutenberg link.)

The second story is called “Dr. Heidegger’s Experiment” and was originally written by Nathaniel Hawthorne and published anonymously in 1837. The story is about five friends who are in their older years. Dr. Heidegger invites his four friends over to his house and offers them water from the Fountain of Youth. All four of his friends lived lives of sin and are full of regret. However, Dr. Heidegger himself does not drink the water; he merely wishes to see what happens when they do. They drink the water and age backwards, regaining their beauty and energy. However, they did not follow Dr. Heidegger’s advice to record for themselves some lessons learned before they drank the elixir, and so they do not remember the wisdom that they were supposed to have learned throughout their lives (though it is not that they forgot it, it is mostly that they did not gain it in the first place). The story ends with a clear message, and this story made me think a lot more than I was expecting to at the end. (Interested readers can check out this Project Gutenberg page for Twice-Told Tales, a collection that contains, among many others, the original story by Hawthorne.)

The third story is called “The Sending of Dana Da” and was originally written by Rudyard Kipling and published in 1888. The story is set in India a long time ago. A British man named Richard Evans meets a local wizard named Dana Da whom he treats generously. Dana Da offers the man help in return, asking him if he needs help in dealing with anyone he loves or hates. Evans eventually admits that he loathes a man named Everett Lone. Dana Da’s sending is a magical energy that he can shape into whatever he wishes; for this case, he shapes it into cats that appear in Lone’s life constantly (Lone hates cats). This magical story ends in a quaint way and wraps up the first section of the book nicely. (The original version by Kipling is somewhat different and may or may not be appropriate for young bunnies, so we will not link to it from here.)

Marshmallow is reading Spooky Classics for Children: A Companion Reader, as told by Jim Weiss, and with Dramatizations by Chris Bauer — Marshmallow is reading *Spooky Classics for Children: A Companion Reader, as told by Jim Weiss, and with Dramatizations by Chris Bauer*

Marshmallow’s Review: Overall, I would highly recommend this book! I really enjoyed listening to the audio recording that came with it, and it was a really great experience. Jim Weiss is a great voice actor! (We loved his readings of the Harry Potter books many years ago.) But even if you do not have access to the recordings, the text itself is really engaging on its own. This book is accessible and appropriate for all ages, so I think it would be really fun to read or listen to as a family. I liked the drawings, but I especially liked the writing style; I found it energetic, engaging, yet simple at the same time.

The stories were also surprisingly deep. The first story made me think a lot about generosity while the second made me think a LOT about wisdom, living life in a meaningful way, and appreciation. I also wondered a lot about youth and age afterwards. The third one teaches a lesson about logic and magic, but also friendship and kindness. I would explain more but I think that might give the ending away.

The second section with the screenplay versions of the stories adapted by Chris Bauer would also be a great help for theatre programs for little children. I can see it helping set up a great show for children to watch and / or perform in. Of course I could also see a family doing it among themselves, too, just for fun. There are a lot of useful suggestions for either scenario.

As a whole, this book was really enjoyable, and I would completely recommend it to everyone! I know this is a bit late, but it would also make for a perfect Halloween book!

Marshmallow’s Rating: 100%.

Marshmallow rates Spooky Classics for Children: A Companion Reader, as told by Jim Weiss, and with Dramatizations by Chris Bauer 100%. — Marshmallow rates *Spooky Classics for Children: A Companion Reader,* as told by Jim Weiss, and with Dramatizations by Chris Bauer 100%.

Sprinkles reviews Flatland: A Journey of Many Dimensions – The Movie Edition by Edwin A. Abbott

Today Sprinkles reviews a 2008 edition of a unique classic: Flatland: A Journey of Many Dimensions – The Movie Edition, credited to “Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland“.

Flatland: A Romance of Many Dimensions by Edwin A. Abbott was originally published in 1884. As Wikipedia tells us, this was a novella written by “A Square” who lived in a two-dimensional world called Flatland. The main plot of the book involved the Square meeting a Sphere, coming into Flatland and teaching him about the third dimension. The Square, his consciousness now widened, began to stipulate the existence of fourth and higher dimensions, which in turn confused the Sphere.

The book’s story is amusing, and for many young minds it could be a welcome introduction to the mathematics and philosophy of higher dimensions. The adults reading the book together with their young one would also appreciate the satire underneath it all. Abbott’s pointed comments about the second class status of women in Victorian England, on the other hand, can be comprehended by some of the young crowd. (In Flatland, men are two-dimensional — they are polygons of various types — but women are one-dimensional; they are very very pointy and have no depth.)

The bottom of the Wikipedia article on Flatland lists several online places where one can access the full text of Flatland, as it is now in public domain. (Here, for example, is the Project Gutenberg version.) But I wanted to review this particular 2008 edition of the book because it not only contains the full text but also has some information about the 2007 movie made based on it. As such there are many colorful illustrations in the book, and this might make it even more fun for a young bunny to look through and read along.

Sprinkles is reading Flatland: A Journey of Many Dimensions - The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland. — Sprinkles is reading *Flatland: A Journey of Many Dimensions – The Movie Edition* by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of *Flatland*.

Abbott’s original novella is not too long, so it takes about half of this large-format book. The rest of the book is also worth reading however. There is a short introduction by the mathematician Thomas Banchoff at the beginning, which is worth reading to contextualize what is to come. Then the whole text of the classic Flatland follows. After that, the second part of the book starts. This section is titled “Flatland: The Movie” and includes three brief essays (“Finding Flatland” by producer Seth Caplan, “Imagining Flatland” by director Jeffrey Travis, and “The Visual Design of Flatland: the Movie” by director and animator Dano Johnson), lots of colorful images on high-quality paper, and then the screenplay of the whole film.

Trailer of Flatland: The Movie, from YouTube.

The movie is also worth watching, actually, and it seems to be available in a bunch of places, including YouTube. Apparently right around the same time, some other folks made a second movie based on Flatland, so sometimes people get confused, but the book I am talking about here and the trailer above are both related to the shorter movie voiced by actors like Martin Sheen, Kristen Bell and Tony Hale.

All in all, I recommend Flatland very highly; you should read it and you should introduce all the bunnies around you to it. The 2008 edition here is a good place to start, but it is also fine if you choose the movie version first. I should note that the women are not one-dimensional in the movie: the Victorian satire tends to go on the back-burner there, and the math seems to come to the fore. Which is fine by me but your preferences might be different.

Sprinkles enjoyed reading Flatland: A Journey of Many Dimensions - The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland, and recommends it to all bunnies young and old. — Sprinkles enjoyed reading *Flatland: A Journey of Many Dimensions – The Movie Edition* by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of *Flatland*, and recommends it to all bunnies young and old.

Marshmallow reviews Soseki Natsume’s I Am A Cat: The Manga Edition

Today Marshmallow reviews Soseki Natsume’s I Am A Cat: The Manga Edition, the graphic novelization of the Japanese classic I Am A Cat, originally written by Soeki Natsume in 1905-1906. This “manga edition” was retold and illustrated by Chiroru Kobato, translated into English by Zack Davisson, and published in 2021. Sprinkles is taking notes and asking questions.

[In this post, we mention suicide as it relates to the content of the book, so if this is a sensitive topic for you, please consider not reading further.]

Marshmallow reviews Soseki Natsume's I Am A Cat: The Manga Edition, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson. — Marshmallow reviews *Soseki Natsume’s I Am A Cat: The Manga Edition*, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson.

Sprinkles: I am so excited we are finally talking about this book! I am very curious about it. So let us start with your standard overview.

Marshmallow: Sure! If you like thought-provoking and eye-opening books from other cultures and other time periods, then this is the book for you!

S: That is a great start. Okay, now please do tell us a bit about what this book is about.. Since the title is “I am a cat”, I am guessing it is probably about a cat.

M: Yes, actually the main character is a cat who narrates the whole story (which takes place in early twentieth century Japan). He was separated from his family at a young age and was taken in—reluctantly—by the family of an English teacher named Sensei Kushami. He describes his life with them and the silly human occurrences / things they experience.

S: So what kinds of things does he talk about?

M: Early on, he describes his near-death experience with mochi. He also watches the humans gossip a lot about a rich woman named Ms. Kaneda and her nose (which I thought was very insensitive). The woman, whom the cat calls Lady Nose, has a very ungrateful yet beautiful daughter who may marry one of Sensei Kushami’s friends. There is a lot of confusion that surrounds this affair though and a lot of false rumors and accusations get thrown around.

S: So the cat witnesses and talks about a whole lot of silly, trivial, petty things humans worry about.

M: Yes. In the original version of the book, according to this neat recap we found online, this makes him feel pretty superior. In this manga version, he also seems a little amused by their behavior; however, he seems a little less judgemental.

S: In that recap and also on the Wikipedia article for the book, we also learn that the Japanese version of the title “I Am A Cat” also has sort of this formal feel to it because it uses a particular version of the first person pronoun “I” that is “a very high-register phrasing more appropriate to a nobleman, conveying grandiloquence and self-importance”. I am guessing that also makes the book funny to begin with, the cat is kind of pretty full of himself.

M: I presume it does in Japanese, but of course, I didn’t quite catch that joke myself in English.

Marshmallow is reading Soseki Natsume's I Am A Cat: The Manga Edition, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson. — Marshmallow is reading *Soseki Natsume’s I Am A Cat: The Manga Edition*, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson.

S: English has a single first-person pronoun which makes it a lot easier to learn or speak it, but you also lose a lot of nuance in this way, I suppose. Anyways, so this cat is observing his humans, kind of like Garfield. Garfield is kind of self-important in a way, but maybe a bit less interested in the humans.

M: Yes. I felt like the main character here did seem to care about his human family, but they did not really seem to always care about him too much (Sensei Kushani originally did not want him in the house at all).

S: Hmm, that is interesting. So I know that when you first read this book, you were a bit disturbed by it. Can you tell us a bit about that?

M: I felt that the book made too many references to suicide too lightly. Several characters consider hanging themselves on a pine called the Hanging Tree. None of the main characters ends up killing themselves, but it felt like it was mentioned too many times in the course of such a short book.

S: I can see how that made the feel of the book kind of dark and uncomfortable for you. I am sorry about that. I had thought that this book is supposed to be satirical and philosophical, so I suggested that you read it.

M: It’s okay! It was a little dark and unexpected, but the rest of the book was amusing to read. I can see why people find it both satirical and philosophical. It is pretty amusing to read a cat pontificating about the silly ways of humans. Like we bunnies do sometimes. People-watching is one of my favorite hobbies.

S: I know, right? People-watching is fun! Okay, so tell us a bit about the satire or the philosophy then.

M: Okay, the philosophy part was also pretty dark and depressing though. Sensei Kushani and his friends in academia and one in business discuss the integration of Western ideals into traditional Japanese culture. They also say some very sexist things about women to their friend who just got engaged. Meanwhile, the cat narrating the book ponders about life and whether it is worth it. At some point, he reaches the conclusion (which I disagree with) that life is only suffering and that death is the only peace.

S: Okay, I can see that maybe these ideas are a bit too heavy for a “manga edition”. Maybe the original book deals with them with more nuance. So maybe let us now talk about the manga nature of the book. I know both you and Caramel have read a lot of graphic novels. But is this your very first manga?

M: I think so. I have never read a book that was meant to be read backwards which was a little difficult to adjust to.

S: Backwards for us of course, not for many other people around the world who read from right to left.

M: Yes, but I am still not sure whether I was supposed to start from the top of the page or somewhere else.

S: I can imagine that can be disorienting. I have read only one manga-style book and that was disorienting for me, too. But I am honestly disoriented by all graphic novels, so maybe it was also that. Anyways, so let us wrap up this review then. All in all, did you enjoy reading this book? Did you find it interesting?

M: This book was definitely interesting. It helped me understand a little bit more about Japan’s culture and its understated, natural aesthetics and style. I also liked how this version simplified a classic book into a format that was somewhat easy to understand and definitely a lot easier to read for people who can’t read Japanese. I liked how this made one of the great Japanese novels accessible to others! I would rate this book around 95%.

S: That is wonderful, Marshmallow. Then I am also glad you read it. What would you like to tell our readers as we end the post?

M: Stay tuned for more amazing book reviews from the book bunnies!

Marshmallow rates Soseki Natsume's I Am A Cat: The Manga Edition, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson, 95%. — Marshmallow rates *Soseki Natsume’s I Am A Cat: The Manga Edition*, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson, 95%.

Marshmallow reviews Night by Elie Wiesel

Today Marshmallow reviews Night by Elie Wiesel, first published in Yiddish in 1956 and in English in 1960. Wiesel won the Nobel Peace Prize in 1986 “for being a messenger to mankind: his message is one of peace, atonement and dignity”.

A small caveat: The book as well as the review below involve historical events that depict harsh realities. They may not be appropriate for younger readers.

Marshmallow’s Quick Take: If you are a person of reasonable maturity and ability to process and handle important historical events, then this is the book for you.

Marshmallow’s Summary (with Spoilers): Elie Wiesel was a young Jewish boy in Romania during the Second World War. The book is more or less a memoir of his youth.

Elie is a young boy, extraordinarily devout at a remarkably young age, seeking out a religious mentor in Moishe the Beadle. It is from him that the town of Sighet—located in Transylvania—first hears of the Nazis’ proximity. Since Moishe is a foreign Jew, he is forced to leave first. But he luckily escapes the Nazis who leave him for dead due to his bleeding, shot leg. Moishe walks on foot an unbelievably long journey back to Sighet to warn the very people who look down on him of how dangerous the Nazis are. None of the residents believe him. Elie worries for his mentor, as many adults around him say the Beadle is mad.

Many of the Jews of Sighet do not believe that the Germans could reach them. Others believe that the war would end before Germany’s reach expanded far enough to affect them. It is heartbreaking to say that they are wrong. The Nazis show up on Sighet’s streets within a matter of days.

The Jews are first forced into ghettos, condemned to smaller slums as though they are not deserving of being able to choose where to live. Soon they are forced out of their homes, able to take only what they could carry. They are made to wait on scorching sidewalks and soon after chased towards cattle carts that take them to the concentration camps. Elie and his family, which includes his father Shloma, his mother Sarah, his two older sisters, and his seven-year-old younger sister Tzipora, are taken to Auschwitz. He loses his mother Sarah and Tzipora to the gas chambers and the Nazis on the first day, though he does not know it for certain until later. He and his father are forced into labor camps and the horror continues.

Wiesel’s suffering is conveyed through his own testimony in Night. He and so many others, millions of Jews, Gypsies, and other undesirables in the Nazis’ eyes, suffered so much as the hands of humans who were in all aspects but one the same. This story is one that everyone must read.

Marshmallow is reading Night by Elie Wiesel. — Marshmallow is reading *Night* by Elie Wiesel.

Marshmallow’s Review: This book is simply vital. I think everyone must read it once they are old enough to understand why we must remember. Elie Wiesel is one of the strongest humans to walk this Earth and he is also one of the wisest. Through this book, he passes on the story of the Nazi camps and their horrors designed to exterminate the Jews. He describes things that provoke a deep silence after reading, a deep silence that necessitates thought and great gratitude that one is not in such a situation. Wiesel is a hero by the virtue that he survived. But there are so many who did not and, for their sake and Wiesel’s, this story cannot be forgotten.

Night was assigned as reading in my English class and that is one of the best decisions a teacher can make. This story has impacted so many and Wiesel is truly one of the few people who can be described as a master of prose and a witness of humanity. In words, Wiesel has described the indescribable.

Thanks to Wiesel’s wife Marion who translated it into English for a larger audience, Night is written in simple and clear language, with few ornate embellishments. The horrific events make it seem so already, so Wiesel says things in a way that never makes the story seem unreal.

It is really remarkable and heartbreaking that Wiesel never viewed himself as exceptional. He wonders several times why he survived. He says he was never special or had any sort of skills or attributes that made him deserving of life. But everyone is deserving of life and yet so many were robbed of it. It is truly heartbreaking. Yet, his thoughts and perseverance, his selflessness and his determination (though these words have lost much of their weight and meaning through superfluous use) make him one of the most admirable human beings. He cared unwaveringly for his father though they were both suffering. He never stopped looking after him, even though Wiesel himself thought he failed in this. Wiesel was truly, indescribably a remarkable person with a profound impact. His book Night must be read.

Marshmallow’s Rating: 200%.

Marshmallow rates Night by Elie Wiesel 200%. — Marshmallow rates *Night* by Elie Wiesel 200%.