Today Sprinkles reviews a 2008 edition of a unique classic: Flatland: A Journey of Many Dimensions – The Movie Edition, credited to “Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland“.
Today Sprinkles reviews Flatland: A Journey of Many Dimensions – The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland.
Flatland: A Romance of Many Dimensions by Edwin A. Abbott was originally published in 1884. As Wikipedia tells us, this was a novella written by “A Square” who lived in a two-dimensional world called Flatland. The main plot of the book involved the Square meeting a Sphere, coming into Flatland and teaching him about the third dimension. The Square, his consciousness now widened, began to stipulate the existence of fourth and higher dimensions, which in turn confused the Sphere.
The book’s story is amusing, and for many young minds it could be a welcome introduction to the mathematics and philosophy of higher dimensions. The adults reading the book together with their young one would also appreciate the satire underneath it all. Abbott’s pointed comments about the second class status of women in Victorian England, on the other hand, can be comprehended by some of the young crowd. (In Flatland, men are two-dimensional — they are polygons of various types — but women are one-dimensional; they are very very pointy and have no depth.)
The bottom of the Wikipedia article on Flatland lists several online places where one can access the full text of Flatland, as it is now in public domain. (Here, for example, is the Project Gutenberg version.) But I wanted to review this particular 2008 edition of the book because it not only contains the full text but also has some information about the 2007 movie made based on it. As such there are many colorful illustrations in the book, and this might make it even more fun for a young bunny to look through and read along.
Sprinkles is reading Flatland: A Journey of Many Dimensions – The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland.
Abbott’s original novella is not too long, so it takes about half of this large-format book. The rest of the book is also worth reading however. There is a short introduction by the mathematician Thomas Banchoff at the beginning, which is worth reading to contextualize what is to come. Then the whole text of the classic Flatland follows. After that, the second part of the book starts. This section is titled “Flatland: The Movie” and includes three brief essays (“Finding Flatland” by producer Seth Caplan, “Imagining Flatland” by director Jeffrey Travis, and “The Visual Design of Flatland: the Movie” by director and animator Dano Johnson), lots of colorful images on high-quality paper, and then the screenplay of the whole film.
Trailer of Flatland: The Movie, from YouTube.
The movie is also worth watching, actually, and it seems to be available in a bunch of places, including YouTube. Apparently right around the same time, some other folks made a second movie based on Flatland, so sometimes people get confused, but the book I am talking about here and the trailer above are both related to the shorter movie voiced by actors like Martin Sheen, Kristen Bell and Tony Hale.
All in all, I recommend Flatland very highly; you should read it and you should introduce all the bunnies around you to it. The 2008 edition here is a good place to start, but it is also fine if you choose the movie version first. I should note that the women are not one-dimensional in the movie: the Victorian satire tends to go on the back-burner there, and the math seems to come to the fore. Which is fine by me but your preferences might be different.
Sprinkles enjoyed reading Flatland: A Journey of Many Dimensions – The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland, and recommends it to all bunnies young and old.
Today Marshmallow reviews Soseki Natsume’s I Am A Cat: The Manga Edition, the graphic novelization of the Japanese classic I Am A Cat, originally written by Soeki Natsume in 1905-1906. This “manga edition” was retold and illustrated by Chiroru Kobato, translated into English by Zack Davisson, and published in 2021. Sprinkles is taking notes and asking questions.
[In this post, we mention suicide as it relates to the content of the book, so if this is a sensitive topic for you, please consider not reading further.]
Marshmallow reviews Soseki Natsume’s I Am A Cat: The Manga Edition, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson.
Sprinkles: I am so excited we are finally talking about this book! I am very curious about it. So let us start with your standard overview.
Marshmallow: Sure! If you like thought-provoking and eye-opening books from other cultures and other time periods, then this is the book for you!
S: That is a great start. Okay, now please do tell us a bit about what this book is about.. Since the title is “I am a cat”, I am guessing it is probably about a cat.
M: Yes, actually the main character is a cat who narrates the whole story (which takes place in early twentieth century Japan). He was separated from his family at a young age and was taken in—reluctantly—by the family of an English teacher named Sensei Kushami. He describes his life with them and the silly human occurrences / things they experience.
S: So what kinds of things does he talk about?
M: Early on, he describes his near-death experience with mochi. He also watches the humans gossip a lot about a rich woman named Ms. Kaneda and her nose (which I thought was very insensitive). The woman, whom the cat calls Lady Nose, has a very ungrateful yet beautiful daughter who may marry one of Sensei Kushami’s friends. There is a lot of confusion that surrounds this affair though and a lot of false rumors and accusations get thrown around.
S: So the cat witnesses and talks about a whole lot of silly, trivial, petty things humans worry about.
M: Yes. In the original version of the book, according to this neat recap we found online, this makes him feel pretty superior. In this manga version, he also seems a little amused by their behavior; however, he seems a little less judgemental.
S: In that recap and also on the Wikipedia article for the book, we also learn that the Japanese version of the title “I Am A Cat” also has sort of this formal feel to it because it uses a particular version of the first person pronoun “I” that is “a very high-register phrasing more appropriate to a nobleman, conveying grandiloquence and self-importance”. I am guessing that also makes the book funny to begin with, the cat is kind of pretty full of himself.
M: I presume it does in Japanese, but of course, I didn’t quite catch that joke myself in English.
Marshmallow is reading Soseki Natsume’s I Am A Cat: The Manga Edition, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson.
S: English has a single first-person pronoun which makes it a lot easier to learn or speak it, but you also lose a lot of nuance in this way, I suppose. Anyways, so this cat is observing his humans, kind of like Garfield. Garfield is kind of self-important in a way, but maybe a bit less interested in the humans.
M: Yes. I felt like the main character here did seem to care about his human family, but they did not really seem to always care about him too much (Sensei Kushani originally did not want him in the house at all).
S: Hmm, that is interesting. So I know that when you first read this book, you were a bit disturbed by it. Can you tell us a bit about that?
M: I felt that the book made too many references to suicide too lightly. Several characters consider hanging themselves on a pine called the Hanging Tree. None of the main characters ends up killing themselves, but it felt like it was mentioned too many times in the course of such a short book.
S: I can see how that made the feel of the book kind of dark and uncomfortable for you. I am sorry about that. I had thought that this book is supposed to be satirical and philosophical, so I suggested that you read it.
M: It’s okay! It was a little dark and unexpected, but the rest of the book was amusing to read. I can see why people find it both satirical and philosophical. It is pretty amusing to read a cat pontificating about the silly ways of humans. Like we bunnies do sometimes. People-watching is one of my favorite hobbies.
S: I know, right? People-watching is fun! Okay, so tell us a bit about the satire or the philosophy then.
M: Okay, the philosophy part was also pretty dark and depressing though. Sensei Kushani and his friends in academia and one in business discuss the integration of Western ideals into traditional Japanese culture. They also say some very sexist things about women to their friend who just got engaged. Meanwhile, the cat narrating the book ponders about life and whether it is worth it. At some point, he reaches the conclusion (which I disagree with) that life is only suffering and that death is the only peace.
S: Okay, I can see that maybe these ideas are a bit too heavy for a “manga edition”. Maybe the original book deals with them with more nuance. So maybe let us now talk about the manga nature of the book. I know both you and Caramel have read a lot of graphic novels. But is this your very first manga?
M: I think so. I have never read a book that was meant to be read backwards which was a little difficult to adjust to.
S: Backwards for us of course, not for many other people around the world who read from right to left.
M: Yes, but I am still not sure whether I was supposed to start from the top of the page or somewhere else.
S: I can imagine that can be disorienting. I have read only one manga-style book and that was disorienting for me, too. But I am honestly disoriented by all graphic novels, so maybe it was also that. Anyways, so let us wrap up this review then. All in all, did you enjoy reading this book? Did you find it interesting?
M: This book was definitely interesting. It helped me understand a little bit more about Japan’s culture and its understated, natural aesthetics and style. I also liked how this version simplified a classic book into a format that was somewhat easy to understand and definitely a lot easier to read for people who can’t read Japanese. I liked how this made one of the great Japanese novels accessible to others! I would rate this book around 95%.
S: That is wonderful, Marshmallow. Then I am also glad you read it. What would you like to tell our readers as we end the post?
M: Stay tuned for more amazing book reviews from the book bunnies!
Marshmallow rates Soseki Natsume’s I Am A Cat: The Manga Edition, retold and illustrated by Chiroru Kobato, and translated into English by Zack Davisson, 95%.
A small caveat: The book as well as the review below involve historical events that depict harsh realities. They may not be appropriate for younger readers.
Marshmallow reviews Night by Elie Wiesel.
Marshmallow’s Quick Take: If you are a person of reasonable maturity and ability to process and handle important historical events, then this is the book for you.
Marshmallow’s Summary (with Spoilers): Elie Wiesel was a young Jewish boy in Romania during the Second World War. The book is more or less a memoir of his youth.
Elie is a young boy, extraordinarily devout at a remarkably young age, seeking out a religious mentor in Moishe the Beadle. It is from him that the town of Sighet—located in Transylvania—first hears of the Nazis’ proximity. Since Moishe is a foreign Jew, he is forced to leave first. But he luckily escapes the Nazis who leave him for dead due to his bleeding, shot leg. Moishe walks on foot an unbelievably long journey back to Sighet to warn the very people who look down on him of how dangerous the Nazis are. None of the residents believe him. Elie worries for his mentor, as many adults around him say the Beadle is mad.
Many of the Jews of Sighet do not believe that the Germans could reach them. Others believe that the war would end before Germany’s reach expanded far enough to affect them. It is heartbreaking to say that they are wrong. The Nazis show up on Sighet’s streets within a matter of days.
The Jews are first forced into ghettos, condemned to smaller slums as though they are not deserving of being able to choose where to live. Soon they are forced out of their homes, able to take only what they could carry. They are made to wait on scorching sidewalks and soon after chased towards cattle carts that take them to the concentration camps. Elie and his family, which includes his father Shloma, his mother Sarah, his two older sisters, and his seven-year-old younger sister Tzipora, are taken to Auschwitz. He loses his mother Sarah and Tzipora to the gas chambers and the Nazis on the first day, though he does not know it for certain until later. He and his father are forced into labor camps and the horror continues.
Wiesel’s suffering is conveyed through his own testimony in Night. He and so many others, millions of Jews, Gypsies, and other undesirables in the Nazis’ eyes, suffered so much as the hands of humans who were in all aspects but one the same. This story is one that everyone must read.
Marshmallow is reading Night by Elie Wiesel.
Marshmallow’s Review: This book is simply vital. I think everyone must read it once they are old enough to understand why we must remember. Elie Wiesel is one of the strongest humans to walk this Earth and he is also one of the wisest. Through this book, he passes on the story of the Nazi camps and their horrors designed to exterminate the Jews. He describes things that provoke a deep silence after reading, a deep silence that necessitates thought and great gratitude that one is not in such a situation. Wiesel is a hero by the virtue that he survived. But there are so many who did not and, for their sake and Wiesel’s, this story cannot be forgotten.
Night was assigned as reading in my English class and that is one of the best decisions a teacher can make. This story has impacted so many and Wiesel is truly one of the few people who can be described as a master of prose and a witness of humanity. In words, Wiesel has described the indescribable.
Thanks to Wiesel’s wife Marion who translated it into English for a larger audience, Night is written in simple and clear language, with few ornate embellishments. The horrific events make it seem so already, so Wiesel says things in a way that never makes the story seem unreal.
It is really remarkable and heartbreaking that Wiesel never viewed himself as exceptional. He wonders several times why he survived. He says he was never special or had any sort of skills or attributes that made him deserving of life. But everyone is deserving of life and yet so many were robbed of it. It is truly heartbreaking. Yet, his thoughts and perseverance, his selflessness and his determination (though these words have lost much of their weight and meaning through superfluous use) make him one of the most admirable human beings. He cared unwaveringly for his father though they were both suffering. He never stopped looking after him, even though Wiesel himself thought he failed in this. Wiesel was truly, indescribably a remarkable person with a profound impact. His book Night must be read.
Last week Sprinkles reviewed a sweet little poetry book written by A.A. Milne: When We Were Very Young. Today she reviews Now We Are Six, a sequel if there could be one for a poetry book. First published in 1927, this book was also illustrated by Ernest H. Shepard.
Sprinkles reviews Now We Are Six, written by A.A. Milne and illustrated by Ernest H. Shepard.
Last week I reviewed When We Were Very Young, written over a hundred years ago by A.A. Milne. Today I share with you some thoughts on another little poetry book by Milne that is almost a century old: Now We Are Six.
Now We Are Six is a perfect sequel to When We Were Very Young, and young bunnies who have enjoyed that book would definitely enjoy this book, too. In fact both Marshmallow and Caramel were gifted this book for their sixth birthdays. (Yes it was the same copy, which I think is fine. After all, Marshmallow had already graduated from being six years old when Caramel entered that age…) If you want to see what the book is like, you can see the contents in the Project Gutenberg page for the book here. But once again, I will say that the experience of holding a real copy of the book in your own hands (or paws!) is a lot more pleasant.
Before diving into the poems in the book, let me tell you that Milne’s introductions are really interesting. I am not sure the younger readers would appreciate them, but the adults reading the books definitely will. So please do not skip these; they are so fun to read!) In this introduction, we are also warned that Winnie the Pooh shows up in several of the poems. It is really neat to see Pooh’s evolution from the germ of an idea in one little poem in When We Were Very Little to a fully developed independent character who “walked through [the book] one day, looking for his friend Piglet, and sat down on some of the pages by mistake.”
Sprinkles is reading Now We Are Six, written by A.A. Milne and illustrated by Ernest H. Shepard.
Now the poems! There are thirty five in total. And some are indeed about Winnie the Pooh, or at least they include Pooh as one of the main actors. For example, the poem “Us Two” is about a little boy narrating his adventures and conversations with Pooh. But pooh also just happens to show up in the illustrations of poems that do not explicitly mention his name. For example “The Engineer” is about a train the narrator is trying to play with, and Pooh shows up in the illustrations waiting for a ticket and then the train itself. The little bear makes a similar appearance, that is, only in the illustrations, for the last poem of the book, “The End”, where the narrating child is excited to be six years old:
But now I am Six, I'm as clever as clever So I think I'll be six now for ever and ever.
Another one of my favorite poems in this book is “Explained” where a little girl named Elizabeth Ann goes around trying to find out just “how God began”. the question remains unanswered for all those who are reading the poem, even though in the end Elizabeth Ann gets an answer that satisfies her.
Unlike When We Were Very Young, which seemed to be almost exclusively written for a little boy, there are quite a few little girls in this book, or possibly a single little girl, who is sometimes named Elizabeth Ann and sometimes Anne. This makes a lot of sense if you read that the book is dedicated to Anne Darlington, who was a friend of Christopher Robin, Milne’s son. The Darlingtons and the Milnes were family friends, and they seem to have hoped that their two children would perhaps eventually marry each another. But in any case, I believe that the book does benefit from having a little girl in it.
The poems are once more about play and daily life and friendship and big questions. There is also room for big feelings. For example, the very first poem, “Solitude”, reminds the reader that all children are persons of their own rights, and sometimes they too will need some space. And there are a handful of poems which are more fantastical. For example “The Knight Whose Armour Didn’t Squeak” tells the story of a knight, you guessed it, whose armor did not squeak. One day, this knight spots another one whose armor does not squeak and figures out a way to eliminate him from this competition.
The illustrations in the book are once more by Ernest Shepard and complement the book’s quirky and fun feel. All in all, this book is a joy to behold and a joy to read. I recommend it with much enthusiasm to anyone looking to find a poetry book to read or share with a young bunny!
Sprinkles recommends Now We Are Six, written by A.A. Milne and illustrated by Ernest H. Shepard, to anyone looking for a little poetry in their lives.
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