Today Marshmallow reviews the third book in Nancy Springer’s Enola Holmes series: The Case of the Bizarre Bouquets, first published in 2008. (You might also like to see Marshmallow’s reviews of the first two books: The Case of the Missing Marquess and The Case of the Left-Handed Lady.)

Marshmallow’s Quick Take: If you’re a Sherlock Holmes fan or if you like mysteries with female protagonist detectives, then this is the book for you!
Marshmallow’s Summary (with Spoilers): Enola Holmes has been living on her own in nineteenth century London for a couple months now. Given the fact that she is fourteen years old, one might ask why. The reason for her self-inflicted solitude is the fact that, during this period, women have no autonomy in the social status quo. Enola’s mother ran away from this set-up in a previous book and left Enola the means to do the same. Enola (whose name spells “alone” backwards) examined her surroundings and the expectations she was going to be forced to fulfill (finishing school, marriage, childbirth, etc.) and followed her mother’s suit. In doing so, Enola escaped the control of her older brothers: Mycroft and Sherlock Holmes (the famous detective). But even the famous detective Sherlock Holmes cannot locate her and she (while lying low) becomes adept at disguising herself by altering her appearance through various methods. Drawn to mysteries and puzzles, she solves several cases on her own (see for example The Case of the Missing Marquess and The Case of the Left-Handed Lady) and decides to found her own business as the world’s first and only professional “perditorian” (see The Case of the Missing Marquess: “From the Latin perditus, meaning “lost.” Perditorian: one who divines that which is lost”.)
Unfortunately, because women have no autonomy, she creates the business under the name of a male doctor while she disguises herself as his “assistant” Ivy Meshle. However, if her brothers find her, she will be forced to return to them and begin training to be a perfect “ornament to genteel society.” After several close brushes of being discovered by Sherlock and / or Mycroft, Enola once again finds herself drawn to the case of a certain Dr. John Watson. The reticent Arthur Conan Doyle reader may notice that this is the same Dr. Watson who is Sherlock’s loyal companion on his cases. For the few times she met him, Enola felt a fatherly affection towards Dr. Watson, so she (after some introspection and inspection of the situation) decides to search for Dr. Watson, too.
Normal mysteries are dangerous on their own. But her brother’s close proximity to this case makes it also a gamble with the freedom and autonomy she has had so far. Will Enola be able to find the doctor before her brother finds her?

Marshmallow’s Review: I would really recommend reading the first couple books in this series before this one to get context. But on its own, the world-building is enough to immerse the reader entirely in this Victorian-era mystery. The author consistently writes fascinating mysteries that never fail to disappoint in intrigue and complexity; yet the reader is never left confused at the end.
These Enola Holmes books stand out among all other mysteries I’ve read so far because the setting is so wonderfully set up. People often say reading is like a passport to other worlds and times. I was pretty sure they were lying, until now. Once I started reading this book, I couldn’t put it down because I didn’t want to stop learning about the mystery and the fascinating world it is in. The descriptions of London (I am pretty sure) are all factually correct for that time and all the details create an immersive experience that I would fully recommend.
This book series is also unique because it depicts a girl who is fully independent. Enola is perhaps the only female protagonist I have ever read about who isn’t in love, interested in, dating, or married to a guy. She is truly alone (in that sense) and is perfectly fine with it. It is good for girls to see that they have the choice to be so and that it is fine to be fine with that. This book also has strong themes of feminism; Enola’s strength, competence, and wit are rebelliously scandalous for the time. She stands up to the patriarchical system and doesn’t care what it thinks of her. She games the system to use it to her advantage when she disguises herself. But she never forgets to help the less fortunate with her fortunes.
But Enola is also more distinctive among other female protagonists because, as the author explicitly makes sure to state, Enola is not traditionally beautiful. She has a large nose, no delicate, feminine features of particular value, and a body like a “beanpole.” It is Enola’s virtue, brains, and bravery that makes her such a compelling character and I, for one, am expectantly looking forward to reading the next book!
Marshmallow’s Rating: 100%.









